November, a Novel and Death of the Author…

I want to congratulate myself. I wrote a fifty thousand word novel in a month for National Novel Writing month (NaNoWriMo). Many of you may be familiar with this, but for me it was a new experience in many ways. I hadn’t even heard of it until a few weeks before it began and just threw myself into it with a foolish naivety. I thought it might be fun!

For those of you who are unfamiliar with it, the concept is that you only have those thirty days to write at least fifty thousand words. This is 1667 words a day. No re-reading what you have written, no editing or cutting anything, just keep writing until the end. Like a marathon and a sprint at the same time. This, I realise now, is a tall order.

I finished today, with a total of 50,311 words which makes me a ‘winner’. Even more miraculous than that I have written a whole story. It has a start, middle and end. All in thirty days. Looking back it seems like it wasn’t that difficult, but I know I struggled throughout. I had to juggle it with my real life, trying to write in lunch hours on days when I couldn’t write in the evenings, mental blocks where I forced myself to write something; anything. But somehow I muddled through and finished it.

Now I am not writing this post to boast (well maybe just a little bit!) but it has made me think about the artistic creative process again. Always thinking about that one!

The thing is today is the 30th. I wrote the last 1800 words this morning because today I have been on strike (for those outside the UK, the Government is screwing up public sector pensions and over 2 million people were on strike – I am a teacher, but that’s a different story). This day off in protest (with no pay) gave me time to think. I have written a novel but I have never actually read it. I have only read the words as I typed them. There is lots in there that I have forgotten.

It’s like this thing I have created has left me and already it is almost an entity in itself. Sitting there waiting to be interpreted in so many different ways. It is what ‘Russian Formalist’ writers called ‘Death of the Author’. The idea here was that once a novel was published it was irrelevant who the author is, or what their background is, or even what they intended when they put pen to paper. The book is always going to be reinterpreted in different ways by each individual reader. So all reviews or questions about what the author ‘meant’ by their work are irrelevant.

I have felt this with songs I have written. Once they are recorded and performed they take on a life of their own, with people enjoying different songs for different reasons. I still sing songs I wrote over twenty years ago, and I can’t really remember what I felt like when I wrote them. I continue to reinterpret them every time I revisit them. This makes them seem fresh and new somehow.

In some ways this novel is even more exciting. I plan to leave it to ‘simmer’ for a while. Forget it for at least three weeks. Then over Christmas I will read it; read it as if it’s a novel I just picked up. I won’t be able to escape the feeling that it isn’t really anything to do with me. You ever had that feeling?

I wonder if it will be any good?

What do you think?

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Is this the man I am? Or is he anything to do with me?

© 2011 Simon Poore

Genre: The Big Myth?

Genre: The Big Myth?

As I have been writing in genres I didn’t expect to recently (horror, erotica), I thought I would post about the thorny subject of genre itself. I have always thought that it is some kind of mythical beast, or maybe a set of beasts, put on earth to enslave us. Along with the idea of there being a literary ‘canon’, genre prescribes to us what we should and shouldn’t like. Some might find this a controversial idea I know. But we all love a bit of controversy don’t we?
The literary canon is the idea that somehow some writing is definably better than others. To me this is at best laughable and at worst arbitrary. Many will hate me for saying this but my example is Shakespeare. Now the plays of the bard are seen by many, if not most, as being the pinnacle of writing, especially of plays and use of the English language. They seem to be lauded by all and endless theses are written by lofty academics about them. The question is about how such claims are judged. Well it’s simple. We believe they are the best plays because we are told they are the best plays. Told by ‘experts’, who have decided it to be so for us.
There are many problems with this approach. Firstly it leads to elitism. The idea that some art is automatically better than others. The idea of ‘high art’ or ‘high culture’, as opposed to more populist ‘low culture’. For example: Is Shakespeare’s work actually better than the script of a soap opera? All art is subjectively judged. We are active beings; we can actually decide for ourselves whether we like something or not. I would argue that more people don’t like Shakespeare than do. Maybe that is something to do with how we were often put off by it at school!
To be fair none of this means I don’t think Shakespeare is good, I just don’t get why he is so highly regarded. Why is he thought to be the ‘best’ by so many people? We don’t even know for sure that he wrote those plays, although we do know that the influence of those plays is almost endless. For me Shakespeare is best appreciated in the theatre. There it comes alive. And how few people have actually done that?
However just because something is popular doesn’t make it necessarily good. We can all think of things we hate to watch, read or listen to that lots of others love. Soaps for example drive me to distraction, yet millions watch (Eastenders anyone?). Care to share any examples? Justin Bieber??
All of this leads into the idea of genre. Genre too is tainted with the ideas of the literary canon. All art is equal but some genres are more equal than others. ‘Literary’ fiction is the highest in the charts of worthiness. It must be a very very good book if it is listed for the booker prize or some other marketing tool masquerading as a contest. Many great books are not even considered for such prizes. For example Kim Stanley Robinson (highly regarded SF author) argued that Adam Roberts book ‘Yellow Blue Tibia’ should have won the 2009 booker prize. It wasn’t listed, probably because it was labelled as ‘Science Fiction’. Now, that book has science and fiction and even parodies science fiction in it. BUT it is about so much more than simply that! (Read it it’s great!)
Genres other than ‘literary’ fiction often are seen as less serious, which in turn means less good, less well written. Genres like ‘romance’, ‘chick lit’ (sic), ‘crime’ as well as ‘SciFi’, ‘fantasy’ and ‘horror’. It’s almost like we could put these labels into a league of worth; of merit? I wonder which would come bottom of the league? ‘Erotica’? ‘Thriller’? ‘Airport novel’? What do you think? Can you write that league?
I do realise that genres exist to aid the reader (consumer?) to wade their way through the billions of books and ebooks out there. To help them narrow down the search for that elusive ‘page turner’ that will change their lives. The canon too, I guess, gives us pointers to those ‘classic’ works which many, many of us have cherished and loved. It allows every new generation to marvel at them. But I wonder too, how many ‘classics’ were missed? How many amazing works linger on bookshelves unread, maybe because they were labelled badly; put in patronisingly misleading genres.
Some writers attempt to cross-over or subvert genres, Margaret Atwood for example often debates whether she should be labelled as an SF writer or not. Other ‘literary’ writers like Kashio Ishiguro (‘Never let me go’) and Cormac McCarthy (‘The Road’) cross over and write SciFi and get heaped praise for it. Both I thought were excellent books but that other SF writers had used the same subject material and ideas perhaps better previously, but have not been recognised to the same degree because they were ‘SF genre’ writers. Notice that both those books were made into Hollywood films.
For writers, it seems then that genres present us with problems. Maybe problems we don’t realise. This can come down to the question of whether we write for ourselves or whether we write for our ‘audience’. If it is that latter then we may be tempted to fit the stereotypes of the genre, play it safe in order to please the reader. Nothing wrong with that in itself and there are scores of books that do this, some of my writing included I would say. I started writing thinking I was writing for myself and automatically began to write in the genre I enjoy most (SF) and this was fine, but I did wonder if I was really writing ‘copies’ or versions of the books that influence me. Again nothing intrinsically wrong with that. To learn to write is to read, and we are all influenced by our favourite things. Plagiarism is unavoidable! (Just don’t get caught!).
I guess what I am trying to say, as usual badly, is that I am beginning to feel stifled by the idea of genre. Maybe I just think too much, but I find it stifling as a reader. When I go to book shop (which I love to do) I, out of habit, go straight to the SF section to hunt out a new page turning space opera. But in the last couple of years, without really realising it, I have come across two problems. Firstly the science fiction section is always lumped in with ‘fantasy’. Now don’t get me wrong, I can love a bit of fantasy, but there seems to be endless books that look the same. No offence to any fantasy writers and twitter friends who love this genre but it feels like we have endless retreads of Tolkien-type fantasy. This puts me off. Just like there are now endless twighlightesque vampire/teen/werewolf type things. Again no offence if that is your thing.
The second problem is that the same thing is happening in SF. Books seem to be repeating the same patterns and formulas that sell and some books feel like repeats to me. As with all capitalism the market dictates. Maybe I am just a grumpy old dinosaur?
I guess you wonder where I am going with all of this? And as usual I am not sure. I am beginning to think I feel a bit stifled by genre as a writer to. It’s like when I tell people that I play guitar, sing and do gigs sometimes. The first question is always “What kind of music do you play?”, this would be easy to answer if I played covers of Bob Dylan, or something identifiable. But I play my own songs, so I never know how to answer this question. Even those who come to see me play find it hard to categorise. They might say “oh it’s kind of poppy, rocky music but that one was folky…err” They don’t know the genre, they just like the music. Shouldn’t writing and reading fiction be like that too?
Genres almost steer us away from that which we perceive to be ‘not for us’. I don’t like this. Genres trap us into reading and writing what we are told (even subconsciously) we should. I don’t like this. I am just a guilty as the rest of us. My reading and writing follows this safe pattern. I don’t like this. I still love my SciFi, always will…but…
So, what now? Well readers, I urge you to come out of your comfort zone! Read from any genre; forget genre. Challenge yourself to read things outside of your comfort zone. You will find untold treasures I am sure. And writers I urge you to do the same. Read outside of your chosen genre, this will undoubtedly influence your writing in a good way. Write outside of your chosen genre too, just for the hell of it. You never know, this maybe the way to writing a new classic. Worth a try! What do you think?

© 2011 Simon Poore

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BLIMEY, that makes my hand look weird…