The Last Englishman: The First Extract

I thought I would be brave and share a short extract of my novel, provisionally titled ‘The Last Englishman’, or ‘The Last Englishman and the Bubble’…I know, I know, titles are so hard! I wrote it for NaNoWriMo (National Novel Writing Month) back in November and have been editing it ever since. It’s plot is immaterial at this point, I just felt like sharing. I have no idea if it’s any good, but then does anyone ever know when they create something? As always any and all comments are welcome…hope you like…

Libraries. I always loved libraries, libraries and museums, obviously. I loved that Sammie loved them too, though her approach was very different to mine. Again, obviously. The first time we went to a library together it was her idea. Saturday morning and she announced that we were going to the library. I say ‘announced’ but what actually happened was that she screamed at the top of her voice from the shower that we had to go that very morning. In fact we had to go that instant.
She wore thick black tights and black pumps, like a ballerina in negative. On top she wore one of my jumpers. A big thick navy cable sweater. For her it was like a dress; a provocative short dress. She wore long beads over the top, like a flapper from the twenties, and a beret, with her curly hair stuffed inside. She understood so well, that dressing was display, display of personality. She understood it both consciously and unconsciously.
In the car I asked her what she liked to read. We had only been ‘seeing’ each other a week or two and I couldn’t believe we hadn’t discussed books, although she had made a point of perusing my book shelves that first night when she came to my house. Later she had told me that you could judge someone by the books they had, or didn’t have. In the same way you can judge someone by their choice of shoes.
“Shoes are so often the windows to the soul,” she had said. Males who are sloppy in their shoe selection would be judged as sloppy people. Females who chose the wrong heel gave the wrong impression to men they wanted to attract. It became a game with us; imagining the lives of strangers by their shoes.
“That man at the bar is obviously a spy,” she said, one night in the pub, “counter intelligence, M.I.5.; he has chosen to dress down to fit in with the ambience of the place, but his trainers are so expensive, so ‘de rigueur’ that he has over compensated!” I loved her games.
She told me that she didn’t have a “favourite book or genre” and I left it at that as we drove into the library car park. Once into the library I was just moving by habit and heading for the history section, which is conveniently located next to the magazines. I like to choose a book or two and then grab a comfy chair and flick through a magazine I couldn’t be bothered to buy.
She grabbed my arm as I was heading off.
“Wait,” she said, “we don’t have a plan,”
“A plan?” I said, confused.
“We need a plan,” she said smiling. She took my hand and dragged me to the front desk.
“Hello young man,” she said to the guy behind the counter. He was probably older than us but she called him young man anyway, probably because he looked a bit ‘hippy’. He had long hair and a Metallica tee shirt on. Trying to be younger than he was, and Sammie knew it. She read people so well, it was like second nature.
“Hello,” he replied, sounding bored and not looking up.
“Do you have a list, or map, or catalogue showing where all the different kinds of books are please?” she was smiling and leaning her head to one side like a child. Acting dumb as if she had never been in the library before.
The man looked up and smirked at her feigned ignorance, but I could see he was taken in by her smile. It was obvious he fancied her and would succumb to her charm.
“Our catalogue is online,” he said, “if you have a library card, you can use your number to access the catalogue on any of the free terminals.”
“Would you please be a dear and show me?” she asked, brushing her fingers over his hand on the counter. Needless to say he did. Came round the counter and logged into the computer for her.
“How many sections are there?” she asked.
“142,” he said, pointing at the screen, “including fiction and non-fiction, periodicals, large volumes and non-lending,”
“How fascinating!” she said, turning and winking at me like a bank robber, then sending the man away with platitudes of gratitude.
“Ok, choose a number between 1 and 142,”
I chose 73, because that was the number of my house. She chose 22; the number of her house. Then we had to find the first book shelf in that section. And from there we had to get the seventh book along from the left in the middle shelf. She said that seven was a lucky number as it was, at that point, how many times we had slept together.
I got a book on how to do crochet and macrame. Patterns for making ridiculous colourful ponchos, fashionable in the nineteen seventies.
We met back at the magazines and she showed me her book; a biography of Winston Churchill. Of course the sensible part of me protested and argued that we should swap books. But she laughed at that and explained that we couldn’t return to the library until we had actually read our books. She said it would expand our minds.
It was the only book I have ever read about crochet and it bored me to tears. We sat in bed together reading our books and telling each other about them. She was like the ‘auto-didact’ from Sartre’s novel ‘Nausea’. She figured if you read widely rather than restrict yourself, you would understand more. It became our regular library game, and she was right. I learnt all sorts of things I would never have known about. Including Jean Paul Sartre.
Sammie was always making fun games out of the most ordinary of situations. Even on that day after the library. We sat and had dull watery coffee at an ‘antiques fair’ in a church hall. We were walking past and she just announced that we had to buy something for each other there. We only had the coffee because she liked the old lady who served it. Well more accurately she liked the old lady’s hat, and tried to buy it from her.
I wondered out loud to her whether calling it an ‘antiques fair’ was a misnomer; against the trades descriptions act or something. Most of the junk there was worthless and over priced and not exactly ‘antique’; just stuff people didn’t want anymore and donated to the church. She, of course, would have none of it.
“Everything is just future antiques,” she said, “everything! Your mobile phone is already an antique!”
“Well yes…yes but it still works!” I said.
“What I mean is that all of these things for sale here were once loved by someone, maybe took pride of place in their home, and maybe we should rediscover the pleasure they can give. As a historian you should be able to see that surely?”
Again she was right; she had a way of opening my eyes and making me see the world through a different lens. We bought tat and tried on third hand musty clothes and laughed, holding hands as we perused the stalls. I still have the silver pocket watch I bought that day. I keep it in my pocket, though it has never worked. I don’t know why I keep it. I guess sentiment is all I have now.
Now everything is antique, just like Sammie described it. Everything on the planet, including me. And maybe I am the last to cherish all those things we made and did. All the lives and all the loves over the centuries comes down to me. Remembering it. Maybe that’s why I put my hand in my pocket and run my fingertips over the smooth silver of my watch; feel its weight in my hand. The weight of all the centuries. Maybe that’s why I am typing this…

© 2012 Simon Poore

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November, a Novel and Death of the Author…

I want to congratulate myself. I wrote a fifty thousand word novel in a month for National Novel Writing month (NaNoWriMo). Many of you may be familiar with this, but for me it was a new experience in many ways. I hadn’t even heard of it until a few weeks before it began and just threw myself into it with a foolish naivety. I thought it might be fun!

For those of you who are unfamiliar with it, the concept is that you only have those thirty days to write at least fifty thousand words. This is 1667 words a day. No re-reading what you have written, no editing or cutting anything, just keep writing until the end. Like a marathon and a sprint at the same time. This, I realise now, is a tall order.

I finished today, with a total of 50,311 words which makes me a ‘winner’. Even more miraculous than that I have written a whole story. It has a start, middle and end. All in thirty days. Looking back it seems like it wasn’t that difficult, but I know I struggled throughout. I had to juggle it with my real life, trying to write in lunch hours on days when I couldn’t write in the evenings, mental blocks where I forced myself to write something; anything. But somehow I muddled through and finished it.

Now I am not writing this post to boast (well maybe just a little bit!) but it has made me think about the artistic creative process again. Always thinking about that one!

The thing is today is the 30th. I wrote the last 1800 words this morning because today I have been on strike (for those outside the UK, the Government is screwing up public sector pensions and over 2 million people were on strike – I am a teacher, but that’s a different story). This day off in protest (with no pay) gave me time to think. I have written a novel but I have never actually read it. I have only read the words as I typed them. There is lots in there that I have forgotten.

It’s like this thing I have created has left me and already it is almost an entity in itself. Sitting there waiting to be interpreted in so many different ways. It is what ‘Russian Formalist’ writers called ‘Death of the Author’. The idea here was that once a novel was published it was irrelevant who the author is, or what their background is, or even what they intended when they put pen to paper. The book is always going to be reinterpreted in different ways by each individual reader. So all reviews or questions about what the author ‘meant’ by their work are irrelevant.

I have felt this with songs I have written. Once they are recorded and performed they take on a life of their own, with people enjoying different songs for different reasons. I still sing songs I wrote over twenty years ago, and I can’t really remember what I felt like when I wrote them. I continue to reinterpret them every time I revisit them. This makes them seem fresh and new somehow.

In some ways this novel is even more exciting. I plan to leave it to ‘simmer’ for a while. Forget it for at least three weeks. Then over Christmas I will read it; read it as if it’s a novel I just picked up. I won’t be able to escape the feeling that it isn’t really anything to do with me. You ever had that feeling?

I wonder if it will be any good?

What do you think?

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Is this the man I am? Or is he anything to do with me?

© 2011 Simon Poore