Writing a book is like climbing a mountain…

Two weeks ago I climbed a couple of mountains. Which is kind of a new experience for me – a man who lives in Norfolk, one of the flattest parts of the UK. The aforesaid mountains were in Wales; Snowdonia to be precise.
We decided that people who live in mountainous regions of the world must be fitter and have better calf muscles than those who live on the flat.
The first mountain is called Cadair Idris (ninth highest mountain in Wales – 893 metres). This is a truly beautiful place, with stunning streams and waterfalls. ’Cadair’ means ’chair’ so this mountain is, according to myth and legend, the ’Chair of Idris’ – Idris being the name of a mysterious Welsh Giant. A mountain that sounds like it is screaming out to have stories written about it.
If you are ever lucky enough to go there I recommend two things. One, have bacon sandwich before you start the climb, and two, make sure that you go to the stunning lake, which is more than half way up. This is what we did, instead of climbing to the summit.
This lake looks like it is formed from the bowl of an extinct volcano, although geologists say that this isn’t the case. The lake has the clearest still water; water from distant cascading streams falling from the summits filling it incessantly. You can almost feel the slow march of geological time that has shaped the place. You feel small and humbled.
The short swim in the lake was an experience. It was incredibly cold (breathtakingly cold) and beyond a short ledge of submerged rock and scree it drops to an incredible 50 metres deep. The feeling of floating above such mysterious clear black depths in icy water was most disconcerting. Needless to say I didn’t swim for long.

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The lake at Cadair Idris…

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Would you dare swim?
Obviously if you are going to climb mountains in Snowdonia then you have to climb Snowdon itself, the second highest peak in the UK (1085 metres). It is also one of the most popular tourist mountains as it has a train that can take people to the summit. People tempted by the train are commonly known as ’Train Cheats’ by all those brave enough to climb one of the many routes under their own steam (as it were). Personally I couldn’t understand those who spent considerable sums to take the train on the day we climbed Snowdon. The summit was covered in cloud (as it often is) and taking the train just means you pay a lot of money to stand in a cloud and not see any of the stunning views.

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The view just beneath the clouds near the summit of Snowdon…
My five tips for climbing Snowdon – one, eat properly! Two bits of toast for breakfast isn’t enough! (Can you tell I am not a seasoned climber?). Two, choose a sensible route for your fitness level (we walked the ’Rangers Route’, which I would describe as a medium route and is still a bit tricky in places, especially if your knees, like mine, are not so hot). Three, wear some layers; once you reach a certain height, even in summer, the winds can be pretty chilly. Four, if you find it hard going comfort yourself with the promise of the best hot chocolate in the world at the summit cafe. Five, don’t be a ’Train Cheat’ – challenge yourself!
So, what did I learn from my novice climbing experiences? As a writer any travel to new places can give you backdrops for stories that you never previously perhaps imagined. I can see Idris the giant in my mind’s eye, straddling his gargantuan chair.
And the climbing itself? Well, climbing a Mountain is actually a bit like writing a novel. The last hour of climbing Snowdon (which took 2 hours 35 minutes – not bad going for an old fart with dodgy knees) was really tough. It’s that thing where you continually think you are nearly there only to find around the next bend or over the next lip of rock there is yet another steep climb looming ahead of you. It can feel like the summit is forever beyond your reach. Writing a novel can feel like this, with the ending so far out of sight, locked away in the clouds. When you hit this wall the only choice you have is to dig in and keep going.
On a mountain you pretty much have no choice, once you have reached a certain point going back down would probably be as hard as keeping going. In other words you can’t actually give up (short of being helicoptered off the mountain by Prince William of all people!). So you simply keep going to the top, however hard it seems.
Of course with a novel you can give up. You can write a hundred thousand words and still feel that the summit is lost from view, out of reach. My suggestion here is that you treat the novel (or any challenging endeavour) as if it were a mountain, as if you actually have no choice but to finish it. There is no going back, you have to reach the summit. Finish what you started, if only to feel the amazing joy of tired satisfaction of a challenge overcome…
How is your climb going?

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The novelist with cold tired knees near the summit of Snowdon…

© 2013 Simon Poore

My problem with ‘Genre’…again…

So another year and another round of agent submissions. Pretty much at this same time last year I was sending out my first round of submission to literary agents for my first novel ’The Last Englishman and the Bubble’ (now self-published and available for all! See my last post).
Now a year later I am embarking on that same journey with my second novel: ‘An End of Poppies’.
As you can probably tell that first book didn’t manage to climb anywhere near the top of the ’slush-pile’ and most agents probably either recycled the paper it was printed on or simply pressed ’delete’. The cynical part of me thinks that most of them probably didn’t even read it.
I know that one or two did and the feeling was that although they (kind of) liked it they didn’t know how to market it. It was described as “well written” and “obviously intelligent” but they didn’t know what box to out it in. You would think that has made me disheartened, but no it is quite the opposite, somehow I am more determined.
It all brings me back to one of my pet subjects; the misleading marketing tool of ’genre’.
I suppose it is inevitable that I have to grapple with this problem; often when submitting or when publishing online you have to label your work with it’s genre.
‘The Last Englishman…’ is a Sci Fi book, but I know that it is more than that and that the label ’SF’ may well put readers off if they don’t normally read this kind of book. It is also a romance, a drama, a dystopia and a commentary on existence, love and society. The downside of the label ’SF’ is that it means that many agents/publisher won’t touch it with a barge-pole. Surprising how many specifically say that they publish/work with all kinds of books but NOT science fiction or fantasy (the list usually says NO Science fiction, fantasy or poetry! I feel for you poets out there!).
At least this is not a problem for my new novel. It is perhaps an ’alternate history’; but here again I find that description inadequate. It is an epistolary novel, with romance and war, social commentary and feminism. And it is, I hope, a literary novel.
So what conclusion can I come to? Well, none really. I suppose people have to have some way to pigeon hole things. How else would readers find books? That said I still don’t like the idea of ’genre’, and still feel it misleads and constrains. I certainly don’t want to write in a certain genre because it is marketable. I will continue to write what excites and enthrals me, and hope it does the same for others, whatever it eventually becomes labelled as.
So wish me luck in search of that elusive agent who will fight my corner to find that elusive publisher. Maybe then I can leave the job of ’pigeon-holing’ to them?

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Will my novel jump out of the Slush Pile?

© 2013 Simon Poore